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2011 Film Year in Review “ The Dommys

Welcome to the 1st annual That Film Guy year end awards, or the ˜Dommys.’ At these awards we will celebrate and commiserate the best films of 2011. It has been a real mixed bag year with regards to films, with many good quality films, but few truly excellent films. We’ve seen the end of one of the biggest film franchises of all all-time with the release of Harry Potter and the Deathly Hallows Part 2 as well as the relaunch of a potentially huge future franchise in Rise of the Planet of the Apes. Oscar season bookends the year as it always does with films like The King’s SpeechThe Help and Tinker, Tailor, Soldier, Spy all obviously baiting for the gold statuette. So without further ado, let’s see the winners.

Genre Film Awards

Best Horror Film

Best Horror Film of 2011: Red State

Terrified, nervous and confused emotions flow from the screen to the audience throughout the hour and a half of insane ramblings, blood splattering death and quirkiness. The cast definitely added credibility to Mr. Smith’s latest project as the plot was fairly simple, slightly lacking depth. The overriding feeling though is that Red State = internet dating gone wrong. Read the full review here¦

Best Science Fiction Film

Best Science Fiction Film of 2011: Attack the Block

Simultaneously scary, jumpy, funny, fast-paced, action-packed with genuine character development and a strong moral core, Attack the Block is the most surprising and gripping film you’ll likely see from a first-time director, with an almost first-time cast. Joe Cornish has well and truly arrived. Read the full review here…


Best Comic Book Film

Best Comic Book Film of 2011: Thor

From the sweeping history lesson in the beginning to the family intrigue in the middle and the climatic showdown at the end, Thor successfully ticks every blockbuster box without ever feeling overblown or ridiculous making it the best Marvel film since Spider-Man 2Read the full review here¦

Best Fantasy Film

Best Fantasy Film of 2011: Hugo

Scorsese takes great care to create the sense of wonder that he himself clearly felt upon watching films for the first time. Hugo reads more like a love letter to the early pioneers of film than an actual children’s film, but it is exactly this reason that makes it work. It focuses on the over-riding theme of ˜broken’ toys, machines and at its heart, people. Each of the main characters has a reason to feel broken and isolated from the ˜working’ people surrounding them, but they all discover ways to fix themselves. Read the full review here…


Best Animated Film

Best Animated Film of 2011: Arthur Christmas

At its core Arthur Christmas is a mad-capped road movie as the hapless trio travel the globe visiting Toronto, Cuba and encountering lions in Africa. They each tackle their short-comings in a bid to renew Christmas spirit to the children, the elves and even Steve and Santa. The film is not afraid to cast the Claus’ in a negative light, with Steve tired of receiving no recognition, the current Santa unable to let go and retire and Grandsanta desperate to prove that he is still useful. The characterisation is beautifully handled throughout, which is no small part to the excellent voice acting. Read the full review here¦

Best Action or Adventure

Best Action/Adventure Film of 2011: Rise of the Planet of the Apes

The plot trots along at a good pace and rarely drags, with decent action interspersed through the top-notch character development scenes. Superb special effects and a decent cast help drive the story and whilst you’ll see the seeds of the climax sown from the very beginning, the film does not rush to get there, making this a thoroughly entertaining and surprisingly emotionally complex blockbuster. Read the full review here…


Best Family Film

Best Family Film of 2011: Hugo

Scorsese takes great care to create the sense of wonder that he himself clearly felt upon watching films for the first time. Hugo reads more like a love letter to the early pioneers of film than an actual children’s film, but it is exactly this reason that makes it work. It focuses on the over-riding theme of ˜broken’ toys, machines and at its heart, people. Each of the main characters has a reason to feel broken and isolated from the ˜working’ people surrounding them, but they all discover ways to fix themselves. Read the full review here…

Best Comedy

Best Comedy Film of 2011: Bridesmaids

The comedy is a lewd as you’d expect from an Apatow production and it pulls no punches whilst delivery some startling, gross-out moments. Whilst well-paced, it does feel a little episodic, with each event given an equal amount of time to allow the action to build to a crescendo of chaos and anarchy. Melissa McCarthy is the stand-out of all the friends. Read the full review here…


Best Romance Film

Best Romance of 2011: Friends with Benefits

That’s not to take too much away from the film though, because the general level of comedy is very high and the plot is interesting enough. For the film to work its leads needed to be on top form and both are, with Kunis especially proving that her role in Black Swan wasn’t a fluke. It’s not quite as good as Easy A, but it is far better than most of the rom-coms out at the moment and goes to prove that Gluck˜s previous success was no flash in the pan. Read the full review here¦

Best Art House Film

Best Art House of 2011: We Need to Talk About Kevin

The question throughout is who is to blame for Kevin’s actions and there are nods to it being his nature, his mother’s failings as a parent and even video games. The film never shoves one opinion down the throat of the audience and simply leaves all the information there for you to make up your own mind. It’s harrowing and beautiful in equal measure and stands as one of the best films in recent years. Everybody should be talking about Kevin. Read the full review here¦


Best Documentary

Best Documentary of 2011: Senna

Director Asif Kapadia really captures the scenes with aplomb and is able to create a coherent story throughout. It never slacks and is always full-throttle, much like it’s subject. Also the film will appeal to all viewers, not just fans of Formula 1 as the story is just so incredibly engrossing that it could be on any subject, and it would still be fantastic to watch. Read the full review here…

Best Thriller

Best Thriller of 2011: Tinker Tailor Soldier Spy

A top notch cast, a director on the rise and source material that leaps off the screen from the beginning, Tinker, Tailor, Soldier, Spy is one of the most ambitious and intriguing films of 2011. It may not always get it right, but the ideas are there and it’s worth seeing for Cumberbatch’s Dr. Watson-like turn and Oldman˜s career-best performance. Surely an Oscar isn’t far away for either of them. Read the full review here¦


Best Over-18s Film

Best Over-18s of 2011: Drive

Hyper-violent, retro, all style and no substance, Drive on the face of it is a mess. However, as a one-shot idea Refn has the class to pull all the disparate elements together and with Gosling as his lead manage to make a truly original piece of work from the carcasses of classic films of the last 20 years. It’ll be loved and hated in equal measure and like Luc Besson˜s early films, it will only work providing the director does not go back to the well too many times. Read the full review here¦

Best Drama Film

Best Drama of 2011: We Need to Talk About Kevin

The question throughout is who is to blame for Kevin’s actions and there are nods to it being his nature, his mother’s failings as a parent and even video games. The film never shoves one opinion down the throat of the audience and simply leaves all the information there for you to make up your own mind. It’s harrowing and beautiful in equal measure and stands as one of the best films in recent years. Everybody should be talking about Kevin. Read the full review here…


Acting Awards

Best Supporting Actor

Ben Kingsley – Hugo

Ben Kingsley’s turn as Georges Melies in Martin Scorsese˜s Hugo is the heartbeat of the films narrative. His historical routes in cinema and his bitter transformation and reappearance as his true self is a wonderful acting feat that few could’ve achieved.

 

Best Supporting Actress

Viola Davis – The Help

While the film is full of great female performances, it is Davis who steals the show, with her blistering turn as Aibileen, a worldly-wise maid who has to heartbreakingly has to say goodbye to all of the seventeen children that she has raised in her life.

 

 


Best Actress

Tilda Swinton – We Need to Talk About Kevin

While Swinton’s character is rarely warm or likeable, it is impossible not to engage with someone who is trying so hard to be the mother she thinks she should be. Without a performance of this quality and the film would’ve sunk to independent obscurity, but her class makes it one of the best films of the year.

 

Best Actor

Colin Firth – The King’s Speech

It is hard to imagine a time when Colin Firth wasn’t an Oscar-winning actor. A man who has threatened to explode into Hollywood for years finally gets his chance playing a stammer-inflicted member of the Royal family in a performance that needs to be seen to be believed.

 

 

 


Best Newcomer

Hailee Steinfeld – True Grit

Mattie Ross herself is played with a sort of stoic responsibility by newcomer Steinfeld, who really excels in her first major film role. The future appears to be bright for this precocious acting talent and it’ll be interesting to see how she follows it up.

 

Best Director

Nicolas Refn – Drive

Following Bronson and Valhalla Rising, Nicolas Winding Refn took the idea of an 80s noir film about a nameless driver and turned Drive into one of the most stylish, brutal thrillers in recent years. The pounding score combined with the stunning visuals clearly mark Refn as a director with a big future.

 

 


Film of the Year

Hugo

Film of the Year 2011: Hugo

Hugo is a film made by a cinema-lover for cinema-lovers. Every frame has a copper tint that evokes the mechanical man at its centre and a sense of sepia-toned nostalgia that continues throughout. The film slowly reveals its true intentions with a dream-like sense of wonder from the stellar acting cast and leaves you feeling warm inside. Just an utterly wonderful viewing experience.

 

 

 


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